"A filmmaker shows what his career will be in his first 150 feet of film," François Truffaut once wrote. He was talking about Jean Vigo at the time, but he might as well have been talking about Martin Scorsese, whose early short films — from the narrative works of his student years at New York University and immediately afterward to the midlength documentaries he made as his feature-filmmaking career was getting underway — reveal the energy, eclecticism, and invention that would make him one of the most exciting American directors of the seventies and, eventually, one of the great artists of our time.
Criterion's release of five early Martin Scorsese shorts reveals that the filmmaker knew the kind of artist he was and wanted to be at a young age. All of the films included in this set contain seeds of future Scorsese classics, and they're all formally playful and sophisticated, with lasting career reverberations: Four of the five shorts center around the rapture and mythology of storytelling, while the fifth plumbs the theme of self-annihilation that would become a Scorsese leitmotif. Collectively, the five films span two distinct periods in Scorsese's career: as an N.Y.U. student and graduate in the early-to-mid 1960s, and as a rising filmmaker in the mid-to-late '70s.
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